For clear pickup with reduced sound from the sides and rear, consider a cardioid condenser microphone, which can also support gain before feedback in many sound-reinforcement setups. An omnidirectional pattern can work well for surface-mounted applications when consistent pickup around the microphone matters, while interchangeable-pattern models provide more flexibility for changing room or placement needs.

Before installation, confirm whether the condenser microphone requires phantom power, uses self-contained electronics, or connects to a body-pack wireless transmitter, since requirements vary by configuration. Review the available input and cable connections, such as XLR, permanently attached cables with TA3F or four-pin connectors, or Ethernet for Dante-enabled microphones, and verify compatibility with the mixer, interface, network, or wireless system.

Handheld condenser microphones are held by the performer for vocals, headworn microphones mount around the head for hands-free speech or performance, and lavalier microphones clip to clothing for discreet voice or instrument pickup. Boundary microphones sit on tables or other surfaces, hanging microphones suspend above choirs, orchestras, or stages, and gooseneck microphones mount to podiums, desks, or installed systems with an adjustable stem.

When choosing an Audio-Technica condenser mic, consider the application, pickup pattern, and form factor, such as a gooseneck or boundary mic for boardrooms and classrooms, a hanging mic for choirs and stages, or a handheld, headworn, or lavalier mic for performers and presenters. Also check whether the installation uses wired, wireless, phantom-powered, or networked connections, and look for features such as low-profile construction, off-axis rejection, low-frequency filtering, and resistance to radio frequency interference when the space calls for them.