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Deliver warm, rich sound with the new LEA amps for outdoor and large commercial installations.
Wirepath’s expanded line includes direct burial speaker wire, Lutron-compatible wire, plenum-rated cables, and more.
Your choice is our mission: Snap One now offers Sanus and Chief mounts online.
Deliver enterprise-grade networking solutions and get 3X the Partner Rewards! *
*Terms and conditions apply.
WattBox provides three distinct ways to fix problems, reduce service calls, and prevent truck rolls. Combine WattBox’s scheduling and auto-reboot with OvrC Home and OvrC remote management, and you have a one-of-a-kind power conditioner.
Bring true 4K HDR entertainment to your customers with the latest laser light source projectors from Sony, offering crisp, vibrant HDR images, even in well-lit spaces.
New accessories and modules are available for the Control4® DS2 Door Station.
Bring world-renowned Triad sound to your architectural speaker projects with Triad PDX.
The Veranda 3 features Android TV, giving your customers access to over 700,000 movies and shows via their favorite apps.
All the installation tools you'll need to terminate Cleerline fiber cable and connectors quickly and cleanly.
TF-RACK is a compact rack-mount version of the TF Series digital mixing consoles, offering the same levels of performance and groundbreaking operability. Offering all-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations and much more. It packs an intuitive user interface, natural control flow, digital effects/processing units and many shortcuts to great sound into a compact 3RU package.
TF-RACK is a compact rack-mount version of the TF Series digital mixing consoles, offering the same levels of performance and groundbreaking operability. Offering all-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations and much more. It packs an intuitive user interface, natural control flow, digital effects/processing units and many shortcuts to great sound into a compact 3RU package.
Find additional information like application diagrams and product details on the Yamaha website.
The scene memory features banks A and B, each capable of holding up to 100 scenes. That’s a total of 200 scenes that can be set up and instantly recalled whenever needed. The banks are great for organizing different types of scenes: one for scenes categorized by music type, and the other by event type, for example.
The Yamaha R&D team developed a selection of optimized QuickPro Presets™ for a wide variety of microphones and output equipment by working in collaboration with well-respected engineers and major microphone and headphone manufacturers such as Audio-Technica, FitEar, Sennheiser, Shure, Ultimate Ears and Westone Laboratories.
TF StageMix is an iPad application that provides wireless control of TF-RACK, allowing remote mixing from audience seating, in front of floor monitors, or any other listening position. It can also be used at the console as an extension of the console’s own interface.
The TF Editor application for Windows and Mac computers provides a complete interface for offline editing and setup of TF-RACK, with scene and preset management capabilities plus convenient keyboard entry of channel names.
The TF-RACK uses recallable versions of Yamaha’s acclaimed D-PRE microphone preamplifier. The circuit is based on a discrete inverted Darlington pair configuration that achieves clean, precise amplification with consistently low noise and distortion at all signal levels.
Allowing most operations to be carried out via the touch panel alone, the innovative TF series interface will quickly become second nature to a broad spectrum of users. The availability of physical controls surrounding the touch panel further enhances control versatility and precision.
TF-RACK can create a versatile stage box system with up to 64 inputs and 40 outputs in conjunction with the optional Tio1608-D I/O and NY64-D, all mounted within a compact rack.
| YAC-TF-RACK |
|---|
Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω, INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) |
+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT |
–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min. |
18-7/8 in. x 5-1/4 in. x 16-1/8 in. |
Equivalent input noise: –128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter) Residual output noise: -85 dBu, ST master off (Measured with an A-Weight filter) |
Quick Guide, Power Cord NUENDO LIVE (DAW Software), Rubber stoppers(4) |
16 mic/line (XLR/TRS combo) + 1 stereo line (RCA pin) |
32-104°F (0–40°C) |
16 (8 XLR + 8 TRS phone) Expansion slots: 1 (for NY64-D) |
85 W |
100-240V, 50/60Hz |
-4-140°F (-20–60 °C) |
20.3 lbs. |
Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz |
48 kHz |
DSP: 8 Effects + 10 GEQ |
110 dB typ., DA Converter, 108 dB typ., INPUT to OMNI OUT, Input Gain=Min. |
Input Channels: 40 (32 mono + 2 stereo + 2 return) Aux Buses:20 (8 mono + 6 stereo) Stereo Buses: x1 Sub Buses: x1 |
Total Harmonic Distortion (THD) |
Frequency Response |
Audio Crosstalk |
Dimensions (W x H x D) |
Features |
Included Accessories |
Inputs |
Operating Temperature |
Outputs |
Power Consumption |
Power Rating |
Storage Temperature |
Weight |
Delay |
Supported Sample Rates |
Audio Processor |
Dynamic Range |
Mixing capacity |
We want to make our Affiliate program as easy as possible. That’s why we process all claims directly. Specific warranty terms and details from the manufacturer are below. For all Yamaha AVR products purchased from Snap One, Snap One will accept defective returns up to sixty (60) days from the date of sale by Snap One and Snap One will provide a replacement product. After sixty (60) days from the date of sale by Snap One, all warranty claims must be made directly with and serviced by the manufacturer in accordance with the manufacturer’s warranty, provided below.View complete details on Yamaha Commercial Installation Solution products.
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